Posts Tagged ‘app’


So You Wanna Be A Superstar? Part III

JUL. 16
2010

Now that you’re presiding over your newly formed digital empire don’t think you can rest on your laurels, you can’t take a Field of Dreams approach to this stuff just because you build it does not mean people will flock to be part of it.

The digital world has put control firmly back in the hands of the consumer, this is no more evident than in the music industry. Fans can now download the once precious commodity of recorded music for free, all be it illegally, therefore you need to compete with free.

Now more than ever you need to “monetize”, “incentivize” and “supersize” your fan base, or just turn it up to 11… whatever floats your boat.

Facebook

facebookIf you’ve never heard of Facebook, well then quite frankly this whole new digital market place might not be for you. However, if you have you’re heart set on exploiting this new fangled Facebook this should help you out… http://lmgtfy.com/

Give your fans a reason to “like” you. Yes, sadly just because you have a Facebook page does not mean that every one of the 400 million users will want to be your friend. Offer them something in return for their friendship, a free remix or exclusive video and you’ll have far more success snaring your piece of the Facebook pie.

Make me feel special. A common mistake with social media is to post the same content across all your sites, while this does save time it’s important to utilise the strengths of the platform. Photo sharing and tagging is a big part of Facebook why not follow OK Go’s example and take photo’s of your audience and invite them to tag themselves.

Can you say customisation? FBML, nope it’s not a new variation on FML but a Facebook application that allows you to customise your fan page… well with a little help from HTML. This website (this one right here) should give you some good examples as well as helpful templates for those non-geeks among us.

Bravenet

bravenetWonderful little website that gives you tools galore for creating, hosting and adding to your very own bit of cyber real estate. Although granted you may need to pay/know a friendly geek in order to get the website up and running.

Visit your own site. Your website should become the hub of your online activity therefore you really need to make sure it’s the most up to date and the one that you clearly spend the most time on. Your website is for your super fans, so make sure you treat it as your priority not just an afterthought.

Flash is flashy and nothing more. We’ve all seen them, those intros that inspire, excite and make you think holy smokes batman that is frickin’ sweet. However when it comes to finding out when this totally awesome band is playing next your left scratching your head. Plus Apple doesn’t like flash and we all know they own the internet.

Be prepared to love stats. Google Analytics is free and pretty much the best tool out there for analysing you’re web traffic. See what countries your visitors are coming from, and how well you’re doing at referring people to your websites from your other social media efforts. Yes, it may not fit into the sex, drugs and on the dole lifestyle but it a necessary evil.

PledgeMusic

PledgeMusicNo money to record and album? Wait a gosh darn minute, why not get the people that want it to pay for it? True they may want a piece of your soul in return, granted this could be hard for people who sold their soul to the devil in return for insane musical skills.

You’re not a mobile phone seller. Although you have to sell your project to you’re fans it’s important not to come across too desperate (even if you are). This platform allows for a more inclusive artist to fan experience, and this is the way you need to position it to your fans.

Offer them something you would want. A mini USB uzi? Perhaps, well it’s better than a t-shirt. Get your creative juices flowing it doesn’t have to be limited to physical goods, I’ve seen bands offering helicopter flights to festival gigs or band sleepovers with breakfast in bed.

In for the long haul. This way of funding your album/tour is hard work, you need to put the effort in for the start of the project to the end. Keep your “pledgers” updated with video blogs, track demos, photos or anything that will make them feel warm and fuzzy inside.

Eventbrite

eventbriteThe internet’s full of these good ideas, sell your own tickets… Sounds pretty obvious when you say it out loud. Although granted not every promoter is going to be particularly happy about you doing it…

Early bird catches the worm. Yep early bird tickets, fans love ‘em, venues love ‘em and you’ll love ‘em. However it doesn’t have to stop there you can create mailing list only ticket links, or special VIP tickets. Hell you can even make men only tickets… although I think that’s called sexist? Or is it sexy?

Data can be fun. No honestly it can… well maybe fun is the wrong word. Mind numbingly boring might be more apt. Buuuut if you post different links to your different social networks you can then see which network contains your most loyal gig going fans. Fun huh?

Rewards are even more fun. Everyone likes rewards, it’s a fact. There’s no scientific evidence for it but it’s a fact none the less. So why not give out a free download card to all the people that came to your gig? All they’re required to do is join your facebook page or mailing list which means you get even more fun data to play with…

TopSpin

TopSpinEminem, OK Go, The Beastie Boys… that’s the kind of company you’ll be keeping if you use TopSpin. Their artist store is easily the best on the web, allowing you to put together various fan packages and integrate it into a multitude of other platforms.

Knowledgebases are better than bullet points. I know what you’re thinking… where are the rest of the bullet points? Where’s the three point plan to stardom, well fear not because TopSpin’s knowledgebase is so comprehensive I feel I would be cheapening it by offering any “tips”. So read, absorb and say hello to stardom…

TopSpin Knowledgebase.

In the highly unlikely scenario that you did not read parts I & II you can find them here…

So You Wanna Be A Superstar? Part. I
So You Wanna Be A Superstar? Part. II

Any questions, feedback, rants, rambles or plain old spam leave them in the comment box below…

So You Wanna Be A Superstar? Part II

JUN. 25
2010

If you followed our tips in part one I wouldn’t be surprised if people were clamouring to get your music, come to your shows and who knows maybe even financially reward you for your efforts?

One of the hardest things about growing a following in the current media landscape is the ADD culture within which we live, nowadays there’s a new buzz band for everyday of the week. So given that you’ve worked hard to make it to buzz band of the day you’ll want to remain there, at least until the end of the week.

So let’s give your rabid music fans something to stop them salivating…

BandCamp

BandCampFree, yep. Everything is better when it’s free isn’t it. This service allows you to create your very own little music hub, allowing your fans to freely download your music, or enter their email address for free track or even the in-vogue pay what you jolly well like model.

Your very own website. Until such time as you have sufficient technical skills and/or the money to pay someone with sufficient technical skills this will do nicely. Handily you can get rid of the web address bandcamp.yourband.com and replace it with yourband.com which means your page will get ranked higher on search engines.

PWYW isn’t just a passing trend. Yep, that’s right the infamous Pay What You Want. If it worked for Radiohead it’ll work for you, right? Well not quite, however BandCamp user’s have had success with a slight variation on it, I’ll call it PMYW. Pay More if You Want; set your minimum price and if your fans want to pay more, let them.

Music as an incentive. You can create discount codes, free download codes or offer a free track in exchange for an email address. With these tools in mind you can use your music as an incentive to get people to sign up to your mailing list, or blog or follow you on Twitter. Just remember music fans are fickle creatures you’ll have to use further incentives to keep them.

MailChimp

MailChimpThe disadvantage of having a chimp hand deliver all your emails is that if you have more than 500 subscribers you have to pay them. However while your still relatively small time it should be more than adequate, although once you go past 350,000 subscribers it becomes free again. Go figure…

Email is the Holy Grail. Social networks may come and go but the one platform that remains a constant in our lives is email. MailChimp gives you a handy little widget that allows you to create a basic sign up form, as mentioned above give your followers a reason to sign up don’t just bully them into it…

A fool speaks because he has to say something. Never a truer word spoken. Once you have those prized email addresses in your grubby mits do NOT abuse them. Only email them if you have something to say that they will be interested in, people are far more likely to unsubscribe because you email too much than too little.

Location, Location, Location. It may not be as important as when buying a house, but this is crucial if you don’t want to risk infuriating your loyal fans. MailChimp gives you the option to collect your subscriber’s Country and City, I strongly suggest you do this. There’s nothing worse than receiving constant updates for gigs in London when you live in L.A.

WordPress

WordPressWordPress will let you create your very own fully functioning, fun filled, fan friendly… weblog (or blog for the cool kids). Sure there are hundreds of options out there for creating and managing a blog and you can call me old fashioned but I’m sticking with what I know.

Personality counts. If you don’t have a personality… Blogging may not be the best option for you. Write about something you’re passionate about, this maybe music or it may be politics or it may be trainers. This should ensure that you write because you want to, don’t just post “updates” say something. You may alienate one group but you’ll be embraced by another.

Control your comments. 99.9% of blog comments are from idiots or spam. You need to stay on top of this cause they can quickly mount up, and you’ll miss that one important genuine comment. These genuine comments are like gold dust, when you get one make sure you take the time to engage with the person posting the comment.

Don’t forget to tag. Tagging isn’t just a pursuit of teenage delinquents with too much time on their hands. It’s also a handy way to let people know what your posts are about. They can also help increase the visibility of your blog; tagging your post with Lady Gaga means it will show up on a search for her name. All be it very low down, but you get the idea.

Zazzle

ZazzleWhile it may sound like the name of a dancer in a down market strip joint, it’s actually an online store and merchandise service. The main bonus of this service is everything is made to order, so no more will you be forced to cart around boxes of unsold hoodies.

Not everyone wants the T-Shirt. Get creative, you’re a musician right? The beauty of the Zazzle service is if your product doesn’t sell you don’t lose money… Not everyone will want your band’s logo emblazoned on a cooking apron, but someone somewhere might.

Profits can wait. In order to make money on Zazzle you need to set a royalty rate, the higher your rate the more profit you’ll make. However this also means your product price will go up, my advice is set your royalty rate as low as possible at this point it’s all about exposure money is a nice bonus.

An offer you can’t refuse. I believe this is what you call a no-brainer; Zazzle has a referral program where you get paid 15% referral fee for any sales made through your referral. This is especially great for artists as you can refer customers to your own store, all you have to do is add a * to the end of your Zazzle store link (zazzle.com/yourstore*). Simples.

Twitter

TwitterYes my brave student we are entering the wonderful world of Twitter, soon @, #, RT and OH will become like a second language to you. It’s basically a micro-blogging site where you have a maximum of 140 characters to betwixt and bedazzle your loyal followers.

Get involved. Twitter has a rather spiffing community spirit. Unlike Facebook which is usually driving by real world connections, Twitter makes it’s connections through shared interests. Got a video you think is funny/interesting share it, found an article you think is useful share it… Twitter is about telling the world what you are doing right now.

Hashtags help you grow. For those not in the know Hashtag’s are this # symbol. They’re a way to create grouping’s on common topics to make it easier to follow, for example #nowplaying or #quote. Contributing to these popular hashtag topics can expose you to new followers, just don’t put hashtag’s on every tweet… it’s kinda annoying.

Promote your @username. Twitter usernames are easily identifiable by the use of the@ sign as a prefix. You can use this to your advantage by signing off your emails or blog posts with your twitter username. This is a more subtle way of saying HEY LOOK EVERYONE I’M ON TWITTER…

Any questions, suggestions, rants, raves or insults please feel free to leave them in the below comment box…

Until next time my budding superstars…

If you missed Part I of this post you can find it here…

So You Wanna Be A Superstar? Part I

JUN. 18
2010

So you’ve made the decision, you want to be a superstar…

Congratulations…

You’ve taken the first step, ahead of you lies misery, heartache, betrayal, divorce courts, a crippling alcohol/drug addiction and if you’re lucky, you’ll survive long enough to make your triumphant comeback tour (Whitney Houston aside)

But all that’s in the future right now your puzzling over why your internet search for “how do I harness the all encompassing power of the internet to become an incredibly famous and successful musician overnight?” hasn’t turned up anything useful.

Well my musically gifted (?) friend, look no further…

I feel I must point out this should be treated as a basic starting point, you’ll notice it’s missing some high profile websites… fear not my eagle eyed friends all will be revealed in future posts.

MySpace

MySpaceYes yes, I know MySpace is dead, it’s sooooo 2000. Sure the interface leaves a lot to be desired, and your 20’000 fans are largely made up other artists shamelessly promoting themselves, but it’s still an essential landing page for new artists.

If it ain’t broke…The uniform layout is one of the reasons MySpace has remained relevant. People know where they can find your music and where they can find your events. If your page takes longer than a minute to load regardless of how incredible your custom graphics are it will put people off.

Less is more…more or less. Think before posting anything to your MySpace. Videos and pictures are all well and good, but if you don’t have any decent ones don’t put them up. Take the time to create quality content, and unless you have the most incredible back story please don’t post a bio.

Let’s hook up. MySpace is great as a landing page but it leaves a little to be desired when it comes to actual communication. So please put an e-mail address up. Then if somebody important wants to contact you it doesn’t get lost under the mountain of spam that’s become synonymous with MySpace.

HypeMachine

HypemLike them or loath them music bloggers are the new tastemakers. Hype Machine gathers these musical taste makers into one handy resource, it allows you to tap into a worldwide community of passionate music lovers.

Research can be fun. Simply spend time on here listening to bands and checking out music blogs, this is often a good way to see what is happening in the world of “buzz”. I’m not suggesting you jump on the latest trend but it is a good idea to at least know what’s being talked about, and you never know you might even enjoy it.

I like your style. It seems simple but you should send your music to blogs who will like it. Search for bands with a similar sound to yourself and see who’s writing about them, target the smaller blogs as the chances are they will get sent less music and are therefore more likely to write about you.

• It’s nice to be important, but it’s important to be nice. Music bloggers are fragile little beings. Check how they like to be contacted, and avoid mass emails like the plague they may save time but believe me they are not cool, dude. Don’t be afraid to put a bit of personality into your email, they may seem like uber cool taste makers but they are human like the rest of us.

SoundCloud

SoundCloudThis is a great service that let’s you upload your tracks so you can share them with other people that may wish to hear them. It also lets you get the Stat-o-Rama, or stat down, or stat attack… call it what you wish to make your feel cooler it’s still analytics.

Quality and quantity. Your track limit is set by time not file size. Clever huh? So you get 120 minutes for free, perfect for collaboration or when you’re trying to get that final mix just right. It means you can keep the quality high without worrying about quickly filling up your free allowance.

We’re better together. Join some groups and contribute to the forums. SoundCloud has good community of artists, producers and music fans so get involved. It’s also the perfect platform to dish your songs out for remix’s, and as we have already seen bloggers do like their remix’s…

Human contact. Yep that’s right, the internet is being used to bring people together…in real life. SoundCloud users’ arrange these meet-ups all over the world and they’re a great opportunity to meet potentially like minded people. You never know who could be at these events.

LastFM

LastFMEasy to set up and it’s a great way to expose others to your hip new music. Crammed full of salivating music lovers don’t be offended if they tag your music as something you don’t agree with.

A rose by any other name. First things first CLAIM YOUR NAME. You didn’t waste all those precious band practices discussing potential names only to have to share it with someone else. Claim it, get your logo/picture up and write something about yourself this does not mean a bio a brief description will do.

Swedish industrial doom funk. Tagging is one of the best ways to expose LastFM listeners to your music. So tag away but try and make it relevant, search for bands similar to you and see what users have tagged them as. Don’t be afraid to get creative with your tagging, although general tags may aid exposure unique ones may get you noticed.

Scrobble away. One other way to increase your exposure to LastFM users is by sharing your own musical tastes through the audio scrobbling software. Hopefully your musical tastes marry with your influences, this will mean your band will appear as a musical neighbour to users with similar musical tastes.

YouTube

YouTubeNowadays thanks to MTV music just seems boring without some sort of visual excitement. It’s also fast catching Google as the go to place for information, why read about something when you can watch it?

Covers are king. This is a great way to get noticed. If you’ve ever searched for a popular song on YouTube chances are you’ll come up with a host of bedroom covers, some good, some bad, some terrible. The biggest youtube hits normally come from a re-interpretation of a classic song in a completely different style, think Gin ‘n’ Juice in bluegrass.

I want more. If I find something that is partially interesting or funny I’m happy to spend a little more of my precious procrastination time looking at other videos. With this in mind the more stuff you can get on here the better, video blogs, live gigs, acoustic versions of original songs, you get the idea.

Collaboration. There are lots of budding directors, presenters and creative types on YouTube. This not only lends it self well to collaboration but why not see if a popular YouTube show wants to use your music? After all it’s exposure and some shows are really, really popular…

If you completely disagree with me, which I am sure many will… please do not hesitate to let me know. But remember to play nice, we bloggers do have very sensitive egos…

The Musicmetric guide to The Great Escape

MAY. 13
2010


Another festival. Another Top 10.

After the success of our SXSW chart we decided to do one for Europe’s answer to SXSW – The Great Escape.

This festival has around 300 acts and as you can see our Top 10 throws up an eclectic melting pot of artists. That’s because it’s made by clever little server robots who track the online buzz and fan activity of the artists.

So, if you’re going to The Great Escape – make sure you check out some of these bands. We definitely will be…


#1 Sarah Blasko

Like your music, magical, timeless and ethereal? Then this Australia born singer song-writer could well be your new favourite artist.

Sarah Blasko

The critics’ have been drooling over her but don’t let that put you off. Her new album As Day Follows Night has the potential to inject some much needed life into your dinner party playlist. Currently supporting fellow Aussies The Temper Trap on their European tour, she’ll be hoping some of their success will rub off on her.

Sounds like: Indie dinner party music.
File between: Norah Jones and Martha Wainwright


#2 Tunng

At number 2 in our chart these guys are proving that 2010 is the year of “experimental future folk”. Or something like that…

Tunng

This duo decided to scrap their lucrative career writing soft-core porn soundtracks and formed Tunng. Live they expand to a six-piece to included programming, percussion and turntables alongside their more familiar guitar and vocal elements. Their name maybe hard to pronounce but their music is even harder to categorise…

Sounds like: Folk. (with a touch of glitchy experimental electronica)
File between: Caribou and Mumford & Sons


#3 Band of Skulls

Foot stomping rock ‘n’ roll. That’s what they do, and heck they do it well.

Band of Skulls

These guys came to the fore after appearing on the soundtrack to some film about a bunch of vampires? Apparently it was quite popular. Originally from sunny Southampton, they spent the majority of last year touring the U.S, they’re now set to tour the UK, Europe and Australia world domination beckons.

Sounds like: Straightforward, four to the floor rock ‘n’ roll baby!
File between: Rock and Roll


#4 Best Coast

Ever wondered what the Beach Boys would sound like if they were a lo-fi band fronted by a women? Well wonder no more my friends.

Best Coast

While at college in New York Bethany Cosentino longed for the sunnier climes of L.A. So naturally the first thing she did when she got back to California was form a band and write about how much she loved L.A. She also used to be in Pocahaunted a band that described themselves as “The Olsen Twins of blessed-out drone.” Riiiight…

Sounds like: Lo-fi sunshine pop.
File between: The Beach Boys and Early Strokes.


#5 Darwin Deez

Someone, somewhere dubbed this guy the Michael Jackson of indie rock. Well I suppose he dances, sings and plays indie rock.

Darwin Deez

Apparently as well as being the indie Michael Jackson, Darwin is a follower of the spiritualist Meher Baba… whose mantra was “Don’t Worry Be Happy”. Go see Double D and his band live and set the hippy in you free. Just don’t try and copy the synchronised dancing. It’s not big and it’s not clever.

Sounds like: Really indie rock…
File next to: Michael Jackson and Julian Casablancas


#6 Revolver

Their music is described as “Pop de Chambre”… which is basically French for Pop music with a cello.

Revolver

Formed in 2006 they were originally a three piece consisting of two guitars and a cello, they have now expanded to a four piece to include a drummer. Their latest LP Music for a While has seen them move towards a more traditional rock sound, but worry not “Pop de Chambre” fans they still have their cello.

Sounds like: “Pop de Chambre” obviously…
File Between: Vivaldi and The Beatles


#7 Naive New Beaters

If you prefer your French music with less cello and more rap then you’re in luck. Hell, they even throw in a sprinkling of electro for good measure.

Naive New Beaters

They first appeared on the radar, if you will, in 2007 after their video for single BANG BANG became a YouTube hit. Then they disappeared… sort of. Now they’re back with a new EP Live Good and a European tour, proving that YouTube fame is no substitute for good old fashioned hard work.

Sounds like: Electro rap-rock
File inbetween: The Red Hot Chili Peppers and The Klaxons


#8 Broken Social Scene

More a collective than a band, on any given night these guys could turn up with anywhere between six to nineteen members.

Broken Social Scene

If you’ve been anywhere near Hype Machine in the last 6 months you will have heard about this collective. Their latest album Forgiveness Rock Record has been a smash on the blogosphere, and if the blogosphere like it then it stands to reason that we should to. I’d go and see them just to witness nineteen people on one stage…

Sounds like: Baroque Pop…apparently
File Between: Animal Collective and Grizzly Bear


#9 General Fiasco

These guys were nearly called General Music and flirted with the name Marley Jedrejak Fiasco. Thankfully sense prevailed and they combined the two.

General Fiasco

They’re from Northern Ireland you know, from Magherafelt to be precise, try saying that six times fast. Their music is probably classified as “indie” and they have toured with such behemoths of the genre such as The Wombats, The Pigeon Detectives and The Enemy. Plus they were formed by brothers… well it worked for Kings of Leon.

Sounds like: Indie innit.
File between: The Wombats and The Enemy


#10 Blood Red Shoes

Steven Ansell and Laura-Mary Carter are like a younger and more attractive version of Meg and Jack White. And no they are not “an item”…

Blood Red Shoes

They consider themselves to be a punk band in attitude and ethos, although their music may not be immediately classified as punk. Apparently their name is a reference to Ginger Rogers who allegedly had to redo a tap dance scene so many times that her white dancing shoes ended up with blood on them. Niiiiice…

Sounds like: Two person punk.
File next to: Yeah Yeah Yeahs and The White Stripes.


To Like or not to Like?

MAY. 5
2010

If Facebook has it their way music fans will be a thing of the past.

Allow me to elaborate, if I may…

When Facebook announced their new social plug-ins I was mildly interested, I could now “Like” a band instead of “Become a Fan” not that much of a difference I thought.

I was wrong…

It’s actually had a rather dramatic affect; I give you exibit A…

I'm not a fan of the band but I like their music - click to enlage

I'm not a fan of the band but I like their music - click to enlarge

Surprisingly this trend is replicated across a fairly large number of artists. In some cases the increase has been fairly small in others the jump is more pronounced.

The speed and scale of the jump suggests that these artists have been getting a lot of visitors to their Facebook pages but have been unable to convert these visitors to fans linked to their profile. Now with the arrival of the ‘Like’ function artists are able to engage with this previously passive section of their audience.

It does appear that the initial “liking” frenzy is subsiding so it will be interesting to see whether the effect will be a long lasting one or whether people will begin to view even “liking” a band as too much of a commitment. We do expect that the new increased inter-linkedness of Facebook, and abundance of ‘Like’ buttons will have a positive effect on fan engagement.

Edit: Thanks Brendan for the message below. Some of the large effect is due to people logging into Facebook and being prompted to automatically link their profile to the profiles of the “Favourite Artists” listed in their Info section. It will be interesting to see the longer term effect is, so we’ll post an update in a week to see.

Lily Allen and the worthless BRIT…

APR. 28
2010

Remember earlier this year when Lily Allen won the BRIT Award for British Female Solo Artist...

You don’t?

Well whatever…she did and at the time she was pleased as punch.

But now it appears she’s not…. apparently the BRIT Awards are one big record label conspiracy…

So was the BRIT Award worthless? Well just look what it did to her Social Network Buzz…

The BRIT<br />
Effect - click to expand

The BRIT Effect - click to expand

I put that big arrow there so you can see the affect… or lack of it.

Similarly there was little change in her MySpace Views & Plays. In fact the BRIT Awards coincide with a drop in plays & views but I would put that down to a regular fluctuation rather than something caused by the Award show.

MySpace Ain't Moving - click to expand

MySpace Ain't Moving - click to expand

There is one site where the award had an affect… or should I say Twaffect?

No. I don’t think I should…

Twimeline of Twollowers - click to expand

Twimeline of Twollowers - click to expand

As you can see Lily had a steady increase of followers from the day of the Award Show onwards; although to be fair this was probably caused by her performance at the Awards rather than the Award itself.

Alternatively it could have been her drunken acceptance speech which made people think “Hey, Lily’s pretty outspoken and entertaining. I wonder if she’s on Twitter?” In fact the second arrow shows the start of a peak which is more than likely caused by Lily’s spat with Courtney Love at the NME Awards.

What do you think? Are award shows relevant anymore? Or are they just a place for celebrities to get drunk and embarrass themselves (and then reap the publicity benefits…)

Answers on a postcard please!

Musicmetric application update

MAR. 19
2010

We’ve just pushed out a new release of the Musicmetric application for Enterprise, Professional and Essentials users. Users will get an automatic update of their version when they next log in to the application.

It features a new, improved design and some useful new functions, which are outlined below.

We’ll be releasing further functionality and data in the upcoming weeks, so look out for more updates.

New Functionality


Improved artist selection panel

We’ve rebuilt the artist selection screen, it’s now much faster to find new artists to track, and to manage your tracked artists.

Data exports

Data exports are now available for raw datasets, allowing further analysis to be made using third party applications.

New help files

Tabs now contain information panels to help make sense of the data being presented to the user.

Improved homepage

Our new application homepage is now live, showing top 20 charts as well as Musicmetric news, keeping users up to date with everything Musicmetric related.

New Design


Intuitive navigation

Navigation between tabs and sections of the application has been improved, making it easier and faster to get around the data.

Data selection

Browsing and changing between data sets is now much easier in the latest release, allowing cross comparisons and data drill down.

Load times

Application and data load times have been improved, as have the load times for drill down functionality on time series data and maps.



If anyone has any feedback regarding the new application release, please contact support@musicmetric.com and we will be happy to assist.

Musicmetric application screenshot
















Musicmetric data published by BPI

MAR. 17
2010

We’re very pleased to announce that Musicmetric data and charts are now being used by the BPI (The British Recorded Music Industry trade association) as part of the BPI monthly market reports.

The reports show in depth analysis on the state of the music industry in the UK, and are sent out to all members of the BPI.

The latest report was published today, and we look forward to supplying more data and insight as a regular feature with the BPI in the future.

BPI Market Report - Musicmetric page

BPI Market Report - Musicmetric page

The Musicmetric guide to South by South West.

MAR. 15
2010


We’ve generated a Top 20 chart for the artists playing at South by South West this year, based on all the online buzz and fan activity for the more than 1000 bands performing at the festival. It’s a pretty eclectic mix as you can see – that’s because it’s based on real fan activity during the run up to SXSW and not biased towards any particular genre.

So, if you’re going to SXSW – make sure you check out some of these bands. We definitely will be…

If you can’t wait that long (or don’t have a ticket) – have a listen to our Spotify playlist featuring the artists!


Musicmetric Top 20 SXSW Spotify Playlist


1 – The Temper Trap


Sounds like: Indie Rock, Alternative, Indie
SXSW Dates: March 18th | March 19th


The Temper Trap

The Temper Trap

Listen on Spotify

This band have managed to get a lot of things just right. On the tip of the wave sending bands the smart realisation that their hometown may not necessarily be the best base from which to launch their career, the four-peice packed their bags from Melbourne and headed to London in May last year. They had one of their most instantly infectious tracks, “Sweet Disposition”, feature on the soundtrack to indie feel-good film “500 Days of Summer”, and they have been tipped for success by many an influential tastemaker. But unlike the slew of new bands making waves in indie circles over the past couple of years, it isn’t just the PR they have got right. Debut “Conditions” proved this is a band not in danger of being killed off by the hype. “Conditions” is a rousing, addictive, rocking and melodic success, spattered with lyrical gems and the beautifully soulful voice of singer Dougie Mandagi, an album which only seems to improve with every listen. Oh, yeah, and they are even better live. Don’t say we didn’t tell you.



2 – Orgone


Sounds like: Funk, Soul, Afrobeat
SXSW Dates: March 17th | March 18th | March 19th | March 20th


Orgone

Orgone

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When intoxicated there is one form of music that is destined to get even the most hardened scenester dancing. That music is Funk, and Funk is what Orgone do. This 9-Piece funk behemoth has members that have worked with act such as De La Soul, The Pharcyde and Pharoahe Monch. So Orgone not only know how to get the party started, but how to create it, sustain it and finish it.



3 – We Are Scientists


Sounds like: Indie, Rock, Alternative
SXSW Dates: March 18th | March 19th


We Are Scientists

We Are Scientists

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It took a mere 4 minutes for We Are Scientists most recent UK show to sell out, it was a 450 capacity venue so that’s a ticket sold every 0.53 seconds, needless to say they’re pretty popular in the UK. With a new album on the way and a second series of their MTV mini-series Steve Wants His Money in the pipeline, perhaps they can be catapulted into the league of their recent tour buddies Kings of Leon.



4 – Kidz in the Hall


Sounds like: Hip-hop, Rap, Alternative Rap
SXSW Dates: March 18th | March 19th | March 20th


Kidz in the Hall

Kidz in the Hall

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If you had to be lil’ or Young in 2009 to be a rap superstar then in 2010 you need to be a kid. Kid Cudi, The Cool Kids and now Kidz in the Hall. In there own words they describe themselves as “futuristic everyman hip-hop” and with a third album on the horizon this rap duo is ready to make the leap from the fringes of fame, to center stage.



5 – Dum Dum Girls


Sounds like: Lo-fi, Noise Pop, Indie Rock
SXSW Dates: March 18th | March 19th | March 20th


Dum Dum Girls

Dum Dum Girls

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The Dum Dum Girls sound is a cocktail that mixes one part Velvet Underground, one part Le Tigre and a very large helping of mystery and timeless retro coolness. With a debut LP that features a picture of her mum as the cover art and a sound that is self described as “blissed out buzzsaw” you know this is not your run-of-the-mill girl band. After releasing a smattering of singles on several smaller indie labels, they are now signed to the mother of all indie labels Sub Pop.



6 – Minus the Bear


Sounds like: Indie, Experimental, Alternative
SXSW Dates: March 18th | March 19th | March 20th


Minus The Bear

Minus The Bear

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These guys are often filed under the hazy category of “Math Rock” where bizarre song names such as “Hey, Wanna Throw Up?” and “Monkey!!! Knife!!! Fight!!!” are commonplace. Their latest album OMNI has been described as both their most accessible and experimental offering to date, the jury’s still out on that one.



7 – Two Hours Traffic


Sounds like: Indie Pop, Indie
SXSW Dates: March 20th


Two Hours Traffic

Two Hours Traffic

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Based in Charlottetown, Prince Edward Island Two Hours Traffic is a Canadian indie rock band. They are named after a line in the prologue to Shakespeare’s Romeo and Juliet. Oftentimes described as the band that Halifax guitarist Joel Plaskett took “under his wing”, increasingly they are known as purveyors of original, well-crafted power pop songs in their own right. Though they draw comparisons to 1970s power pop band Big Star, the band members tend to cite Nick Lowe as a prime influence. The band’s achievements include a nomination for the Polaris Music Prize in 2008 for the album Little Jabs.



8 – Hudson Mohawke


Sounds like: Experimental, Hip-hop, Electronic
SXSW Dates: March 18th | March 19th


Hudson Mohawke

Hudson Mohawke

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Wonky. Aqua-Crunk. Off-Kilter Hip-Hop. These are but some of the genre labels pinned on HudMo’s musical creations. This 20-something Glaswegian is just the kind of electronic maverick Warp records used to be famous for, think Flying Lotus or J-Dilla if you want more accurate idea of the musical leanings of Hudson Mohawke.



9 – Athlete


Sounds like: Alternative, Indie, Britpop
SXSW Dates: March 18th | March 19th


Athlete

Athlete

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“Wires” is without doubt Athlete’s most recognisable song. However you may not know that it was written about lead singer Joel Pott’s daughter after she was rushed into intensive care shortly after being born. Their latest album Black Swan was released in the US at the beginning of March and they will be playing a set of acoustic shows at SXSW.



10 – Shy Child


Sounds like: Electronic, Electro, Dance
SXSW Dates: March 17th


Shy Child

Shy Child

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Somewhere in the space between Scissor Sisters and Talking Heads exists a Shy Child. Armed with a Keytar and some drums, Shy Child were the first American act to play at the new Wembley Stadium when they were chosen to support Muse on their 2007 tour. Now on their forth album Liquid Love be prepared to fall back in love with the Keytar.



11 – General Fiasco


Sounds like: Indie, Alternative
SXSW Dates: March 17th | March 18th | March 19th


General Fiasco

General Fiasco

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They could’ve been called General Music or Marley Jedrejak Fiasco, fortunately they decided to combine the two. Signed to the same label that brought you The Temper Trap and Local Natives, these guys are definitely someone to take note of. Their music is in a similar vain to The Wombats and The Pigeon Detectives, and is just as infectiously catchy.



12 – Band of Horses


Sounds like: Indie, Alternative, Alt-Country
SXSW Dates: March 18th | March 19th


Band of Horses

Band of Horses

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Band of Horses began back in 2004, from the ashes of the forlorn Carissa’s Weird, formed originally by Ben Bridwell and Mat Brooke. Mat left in 2006 to focus on his other band, Grand Archives. The Horses took in new members, Rob Hampton (guitar) and Creighton Barrett (drummer), and soon grabbed the attention of Sub Pop, after Iron and Wine’s Sam Beam, a family friend of Bridwell, asked them to support his band on tour. Debut Everything All The Time, released in 2005, is a masterful, haunting yet uplifting collection of songs that proved timeless and gained them a loyal following.
Their latest album Cease To Begin tells of love and optimism and one wonders if this new direction might be decision of band members to move from Seattle to Mt Pleasant, South Carolina, to be closer to their families. Whatever, nothing should ever be allowed to stop them creating this life-changing, totally rocking and lingering style of music.



13 – Smoke Fairies


Sounds like: Folk, Blues, Alternative Indie
SXSW Dates: March 17th | March 20th


Smoke Fairies

Smoke Fairies

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Primarily country and blues-folk by genre, the Smoke Fairies are Jessica Davies and Katherine Blamire. Their music is strong and sultry, yet retains an ethereal and fragile air. Gaining a lot of press for their beautiful and engaging two-part harmonies, the pair are from Sussex and find themselves deeply influenced by their childhood by the sea. Notions of space and confinement, as well as the sea are themes they often come back to. Their aim is to create a classic sound that cannot be pinned down to a specific sense of era.



14 – Surfer Blood


Sounds like: Psychadelic, Surf Rock, Indie Rock
SXSW Dates: March 17th | March 18th | March 19th | March 20th


Surfer Blood

Surfer Blood

Surfer Blood are four guys from Florida playing great riff driven guitar music. Take all the elements that make The Pixies one of the best party bands of all time and add to that the freshness and neat sing-along hooks of Vampire Weekend, and you might have an idea what these guys sound like. Maybe. Because they are of course wonderfully individual and the kind of band you’ll want to see live in a sweaty intimate venue, while you are blissfully ensconced in the movement of bodies and the cheers of enthusiastic, young, buoyant fans all soon to be parts of a memory you’ll be desperate to recreate. Roll on summer and more dates to see their catchy hits played in the flesh.



15 – Xzibit


Sounds like: Hip-hop, Rap, West-Coast Rap
SXSW Dates: March 20th


Xzibit

Xzibit

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Xzibit. X to tha Z. X. Are all monikers of the rap artist Alvin Nathaniel Joiner who is more commonly known for Pimpin’ people’s rides than making music. However with new material coming out and promise of more to come, perhaps this rap veteran turned prime time TV host can still surprise us all.



16 – Seabear


Sounds like: Indie, Acoustic, Indie Pop
SXSW Dates: March 17th | March 18th | March 20th


Seabear

Seabear

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Seabear is an indie-folk band of seven Icelanders: Gudbjörg (Guggý), Inga, Sindri (the founder), Halldór (Dóri), Örn Ingi, Kjartan & Sóley. The success of their song “Cat Piano”- featured in a BBC advert and one episode of the TV series Gossip girl- and “I Sing I swim”, have built the popularity of the group. Their second album “We Built A Fire” is now available.



17 – Karnivool


Sounds like: Alternative Rock, Progressive Rock, Alt Metal
SXSW Dates: March 17th | March 18th | March 20th


Karnivool

Karnivool

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Karnivool is an Australian alternative rock/progressive rock music band created in Perth in 1997. Their name is derived from an anecdotal description from the fans who initially described them as “a bunch of clowns” around Perth. They won 5 WAMI awards in 2007 (West Australian Music Industry Awards for ‘Most Popular Act’, ‘Most Popular Live Act’, ‘Best Male Vocalist’ (Kenny), ‘Best Guitarist’ (Goddard) and ‘Best Hard Rock Act’). Their major influences are Nirvana, Radiohead, Meshuggah, Pink Floyd, Tool, Soundgarden and Carcass.



18 – Aerodrone


Sounds like: Electronica, Electro, Indietronic
SXSW Dates: March 20th


Aerodrone

Aerodrone

Listen on Spotify

Originally from Oregon, Aerodrone is an electro pop-rock band. They built a worldwide popularity online via YouTube, MySpace and other social networks. Author of the popular phrase “Hold Me Like a Microphone”, they performed great gigs around the US and have currently deals with MTVU, MySpace Records and Warner Music Group; working with numerous producers such as Mark Needham of The Killers, Inner Party System, Fleetwood Mac fame. Upcoming appearance at South By Southwest in Austin, TX!



19 – The Pains of Being Pure at Heart


Sounds like: Shoegaze, Dream Pop, Indie Pop
SXSW Dates: March 18th | March 19th


The Pains of Being Pure at Heart

The Pains of Being Pure at Heart

Listen on Spotify

This NY band make songs to dance around the room to and sing about having sex in libraries and other such novel ideas. Their first album was a self-released EP which came out in 2007 through the Painbow label. Their debut self-titled full length album was released on February 3, 2009 via Slumberland Records. The band name comes from an unpublished children’s story of the same title that a friend of singer Kip Berman wrote. The group’s self-titled album peaked at #9 on the Billboard Heatseekers chart. On September 22, 2009, they released Higher Than the Stars, their second EP.



20 – CHEW LiPS


Sounds like: Electronic, Electroclash, Indie
SXSW Dates: March 17th | March 18th | March 19th | March 20th


CHEW LiPS

CHEW LiPS

Listen on Spotify

Chew Lips story begin at a friend’s house party in New cross where they performed 10 of their first songs. This south London trio formed in 2008 with Tigs (singer) and multi-instrumentalists Will Sanderson and James Watkins is a dance-pop band that took its inspiration from LCD Soundsystem, Prince and “Classic Pop”. They are supported by BBC DJ Steve Lamacq, and also attract celebrity such as DJ Lauren Lavern and comedian Mathew Horne via Twitter. Their single “Play Together” reached No. 5 in the club charts. They are currently touring the UK stay tuned if you’re not going to SXSW this year.

SXSW: The Asteroids Galaxy Tour

MAR. 11
2010

According to the World Map of Happiness Denmark is officially “the happiest place in the world”. Perhaps that’s why it’s second biggest export after bacon is infectiously happy pop music….

The latests of these exports is The Asteroids Galaxy Tour.

Following in the footsteps of other Danish artists such as Aqua and Alphabeat; The Asteroids, (for short) have taken their brand of Danish Pop global. Check the geographical spread of bit torrent downloads for their album Fruit (2009).

From Denmark to the World - Click to Expand

From Denmark to the World - Click to Expand

As you can see from the below bar graph they have a strong following in America, again this is based on bit torrent downloads of their album Fruit (2009) . With their home country only appearing 7th on the list it appears they have a home from home in America, no wonder they’re doing three dates at SXSW…

Home from Home - Click to Expand

Home from Home - Click to Expand

They not only appeal to a wide number of nationalities but also a wide number of ages. Their strongest following maybe in the under 20’s but they have quite a wide age spread. Here’s their age spread alongside Katy Perry who they recently supported on a tour of Europe.

You can see that Katy Perry has quite a narrow peak focused around the mid 20’s age range, but interestingly The Asteroids Galaxy Tour have a much wider age spread focused around the under 20’s.

Under 18's to Over 30's - Click to Expand

Under 18's to Over 30's - Click to Expand

And their gender split isn’t bad either…

Not just for women - Click to Expand

Not just for women - Click to Expand

Perhaps this universal appeal is why their biggest online following is not found on MySpace or Facebook but on LastFM. Clearly The Asteroids infectiously catchy pop music is a big hit with the LastFM listeners.

LastFM is first choice - Click to Expand

LastFM is first choice - Click to Expand

You can catch Denmark’s hottest, newest, most appealing export at SXSW on these dates and who knows you may be lucky enough to bump into one of the Musicmetric Crew!

17 Mar – Austin, TX: Emo’s Annex

18 Mar – Austin, TX: Vice

19 Mar – Austin, TX: Beso Cantina